2016 TRIUMPH TRUXTON 1 2000 72 12 extended h2

Food

Sinar p3-df

designersfactory

Basel, Schweiz

JJ Schaffner

Asparagus

Basel, Switzerland

Interior

Eva Casado

Interior Shot

Madrid, Spain

Industrial

José Luis López de Zubiría

Industrial Shot 2015

San Sebastian, Spain

José Luis uses

Sinar p3 with Sinaron

Digital HR SW 5.6/90

On the beach

Sinar p3-df

Figolux Limited

Cornwall, UK

Andrew McLean Brown

Oldtimers on the beach

Carmarthenshire, UK

Bikes and Cars

Sinar p2 with Sinarback eVolution

Imagefactory Studio

London, United Kingdom

Ivo Ivanov

2016 Triumph Thruxton

London, United Kingdom

Butcher's kitchen

Jason Butcher

Cell phone 2016

Aldershot, United Kingdom

Jason Butcher uses

Sinar p3 with Sinarback eXact

and Sinaron eShutter lenses

Watches

Sinar p3

The white Cimier

Zurich

With Sinar Mathias Hoftetter shoots

watches, jewellery, automotive,

product, people, food

Jewellery

Hadi Sabbagh

Jewellery Shot

Tehran, Iran

CTM / Repro

Peter Batchelder

October Sun

aufgenommen mit Sinar CTM System

Portraits

Sinar p2 view camera

Portraits of personalities

'The Unretired'

Arne Wesenberg

Lübeck

Germany

Mountain Sceneries

Sinar arTec with Sinarback

Photography Christof Schmidt

Zurich, Switzerland

Christof Schmidt

Mountain Sceneries

Schwitzerland

Architecture

Samir Nicolas Saddi

Museum of Islamic Art

Doha, Qatar

Samir Nicolas Saddi

Architect and

Photographer

Drinks and ...

Sinar p3 with Sinarback eVolution

cake-factory

London and New York

Martin Wonnacott

Drinks and more...

London and New York

Lifestyle

Sinar p2 with Sinarback eVolution

Lux Studio

London, United Kingdom

Lee Pattison

Lifestyle

London, United Kingdom

Landscapes in b/w

Sinar p2 on film

Giulio Speranza

Rome, Italy

Giulio Speranza

Black-and-white photography

on the footsteps of Ansel Adams

Food

For me, controlling the focal plane and the depth of field precisely and deliberately is an essential aspect of taking great photographs.

JJ Schaffner

Schweiz

Why I use Sinar

Website

Interior

With the Sinar eShutter our entire workflow is much faster and the customer appreciates to see the live view on the computer because we are able to remotely open and close the shutter.

Eva Casado

Spain

Why I use Sinar

Website

Industrial

Technical photography is about control and knowledge, it makes us feel as real photographers, having a profession which fills us with pride.

José Luis
López
de Zubiría

Spain

Why I use Sinar

Website

Pendine Sands hot rods

My Sinar System allows me to push the boundaries of photography and capture true images both in and outside of the studio.

Andrew

McLean Brown

Why I use Sinar

Website

Bikes and Cars

Sinar equipment has been a major part of my professional photography life for more than 5 years. It has shaped my work and creative process in a way that has been unmatched by any other camera system.

Ivo Ivanov

United Kingdom

Why I use Sinar

Website

1962 FERARRI 250GTO 1 2000 72 12 extended4

1990 BMW SCRAMBLER 1 2000 72 12 extended 8

Butcher's kitchen

I have only ever used Sinar for my large format work, it suits me and what I do perfectly.

Jason Butcher

United Kingdom

Why I use Sinar

Website

Watches

For me and my clients in watches and jewellery photography quality has first priority.

Mathias Hofstetter

Switzerland

Why I use Sinar

Website

Jewellery

Hadi Sabbagh

Iran

Why I use Sinar

Website

Sinar CTM System (Color To Match)

Highest color accuracy without the need for post-processing.

Richard Klahne

USA

Why I use Sinar

Website

Portfolio CTM – Art Book

In preparation for the publication and exhibition "Fritz Boscovits (1871-1965) - Oil Paintings”, the publisher Thomas Kain went in search of a method of reproduction photography that would meet the highest standards of high fidelity imaging of works of art. In this way, he approached Sinar regarding professional camera systems. The selected paintings came mostly from a family collection, thus creating a perfect opportunity for the production of a monograph on works, as it allowed the reproduction on location. Thanks to a complete Sinar CTM (Color To Match) system, Sinar was able to support this ambitious project with an extraordinary quality of reproduction and colors. The completed publication shows the impressive results of multispectral reprography.

Portraits

Working with the view camera slows down photographing.

Arne Wesenberg

Germany

Website

Appreciation

For my book project 'Im UnRuhestand - The unretired' I exclusively work with my Sinar p2. I value the richness of detail and the control over accentuated sharpness. Working with the view camera slows down the shooting - I better concentrate on the opposite and take photographs more consciously. And thus the people portrayed estimate this as an appreciation.

The Unretired

With the project that I started in 2010, I deal with the following questions: How is a society evolving in which people are living longer? What comes after a long career anyway? The responses of the retirees are all different - as well as their portraits. There are many reasons for 'The Unretired (Im UnRuhestand)' to work after retirement. After a long working life they do not want to be inactive or bored, they intend to give something back to society or need an additional income. Some look for personal fulfilment, some just render a service to others.

Mountain Sceneries

I really appreciate the reliability and precision of a Sinar camera and its lenses.

Christof Schmidt

Switzerland

Why I use Sinar

Website

ChristofSchmidt K 11 MUG 02 00613 2000 72 12

J 16 SIN 01 0024 Christof R. Schmidt 2000 72 12

Architecture

I took my best photographs as architectural photographer with the Sinar view camera.

Samir N Saddi

Lebanon

Why I use Sinar

Website

Drinks and more ...

My work requires the best possible quality at all times without compromise or excuses. The build quality and optical quality of SINAR cameras and lenses are simply unsurpassable.